Bet Big and Earn A Bit playing Craps
If you decide to use this system you need to have a sizable pocket book and superior discipline to leave when you achieve a tiny success. For the benefit of this story, a figurative buy in of two thousand dollars is used.
The Horn Bet numbers are not always looked at as the "successful way to play" and the horn bet itself carries a casino advantage of over 12 %.
All you are betting is 5 dollars on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you wager it consistently. The Yo is more dominant with gamblers using this system for obvious reasons.
Buy in for $2,000 when you join the table however only put five dollars on the passline and $1 on either the two, 3, 11, or twelve. If it wins, beautiful, if it loses press to $2. If it loses again, press to four dollars and then to $8, then to sixteen dollars and following that add a one dollar each subsequent wager. Each time you do not win, bet the previous amount plus an additional dollar.
Using this scheme, if for instance after 15 tosses, the number you bet on (11) hasn’t been tosses, you surely should march away. Although, this is what could happen.
On the tenth toss, you have a sum of $126 on the table and the YO at long last hits, you amass three hundred and fifteen dollars with a take of $189. Now is a great time to march away as it’s more than what you joined the game with.
If the YO does not hit until the twentieth toss, you will have a total investment of $391 and because your current wager is at $31, you earn $465 with your gain of $74.
As you can see, adopting this scheme with only a $1.00 "press," your profit margin becomes tinier the more you gamble on without winning. This is why you have to go away once you have won or you have to wager a "full press" once again and then continue on with the $1.00 boost with each hand.
Carefully go over the data before you try this so you are very adept at when this system becomes a non-winning affair rather than a winning one.
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